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I see, that's so called photographic rang, so called 宽容度. Dynamic range is measured from image brightness with optical densiometers, and ranges from 0 to 4.

0 is pure white and 4 is very black. Dmax minus Dmin is dynamic range, we are talking about different things. Here is the link for DR.

http://www.scantips.com/basics14.html
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Replies, comments and Discussions:

  • 枫下拾英 / 摄影艺术 / 请问有没有photoshop高手,怎样才能把数码照片PS成胶片味。在无忌看照片,基本上我一看就能看出是胶片扫描的还是纯数码相片,成功率七、八十,风景照更是一目了然。怎样才能PS去掉数码味呢(我也说不清数码味到底是个什么东西 : ) )
    • sharpen your image and make it grainy i guess, say no good, blind say..
      • 单依靠sharpen没有用,总的Pixels不够,差太多倍了。
    • 数码味是因为数码的颗粒粗? 135胶片的像素数比1/2英寸的CCD要多两个数量级, 等到哪一天达到 100Mega Pixels, 就不需要“PS去掉数码味”了,供探讨。
    • 成功率70-80,我只要做到剩下的20-30就行了
    • 我觉得数码的比胶片扫描的颗粒要细很多呀
      • 好象不是颗粒的问题,我不是很清楚。就象我妹妹一看电视5秒钟就能知道现在放的是电视剧还是电影,可我就是看不出来。
        • "电视剧还是电影" 还是 CCD vs. FILM 的老问题。
    • 数码味主要是因为数码的彩色宽容度,或者叫色深度不如胶片,即色彩层次不够。
      • absolutely right!
      • 好象很有道理,那就是无法弥补了?
      • 这种说法偶不太明白,胶片不管怎么好,进电脑还是要靠扫描仪,扫描仪的CCD和数码相机的CCD能有多大区别?
        • 二者虽然CCD本身区别不大,但采样和算法有很大的不同。其关键影响因素就是处理时间。有足够的时间给扫描仪磨蹭,采样多为3x12Bit或3x16bit。
          数码相机的CDD在处理时间上要求苛刻得多。在零点几秒到几秒内迅速完成全画面信息的读取、采样、解算和存储,就限制了采样和算法精度。数码相机的采样是否3x8bit?我不清楚。

          如果数码机像扫描仪一样花几十秒到一分多钟扫一幅片子,估计数码味就少得多了。
      • 正解. 最简单的例子, sony F717 , 就是清晰, 傻清晰, (当然可以扬长避短, 拍出不错的照片)
    • 不要太走火入魔了。:P
      • 多谢,我这人很懒,不会的。 : )
    • 好象在PCHOME的数码暗房里见过有文章讲如何PS的
    • 这个我就不伪劣了, 胶片味的关键是....
      看数码照片时弄张胶片放烤箱里面烤.....胶片味3日不绝...



      不相信点进来看? 上当了吧...嘿嘿
      • 严重提醒大家不要上当,以后伪劣的帖子我绝不看里面的内容。//punch
    • 应该主要是宽容度和饱和度两方面的差异。
      现在的DC应该能接近彩色负片的宽容度,但在色彩上离正片还有一定的距离。不是PS 可以去掉的
    • adjust Gamma, Hue, Saturation will help a lot.
    • Oh, if the dynamic range of your DC (assume it is CCD) is less than 5 stops, Photoshop can not help to improve
      • Five?? My god, Dynamic Range for magazine image or color print are less than 2.0, about 2.8 for film negatives and about 3.2 for slides. you must are talking about photographic stops instead of DR.
        • 2.8 for film? Bet you were talking about the optical density range of film. The dynamic range I am talking about is...
          the amount of difference between the brightest and darkest parts of an image, so called exposure latitude. The latest consumer DC can record about 6 stops. The latest digital cinematograph camera claims 11.3 stops, which is about 68dB dynamic range.

          By the way, color negative film can capture 8 or more stops of usable detail if correctly exposed.
          • I see, that's so called photographic rang, so called 宽容度. Dynamic range is measured from image brightness with optical densiometers, and ranges from 0 to 4.
            0 is pure white and 4 is very black. Dmax minus Dmin is dynamic range, we are talking about different things. Here is the link for DR.

            http://www.scantips.com/basics14.html
            • There are different kinds of measurement for dynamic range. We also measure it in bit depth, such as 12bits, 14bits...etc.. Usually we don't use 'photographic range' in camera industry.